Showing posts with label Music. Show all posts
Showing posts with label Music. Show all posts

Bryan Ferry: A Hard Rain's A-Gonna Fall



This Bob Dylan song comes from Ferry's 1973 album of covers These Foolish Things. As his first solo single, it reached no. 10 in the UK charts the following year.

I have always assumed the hard rain was nuclear fallout, but in a 1963 interview (says Wikipedia) Dylan told Studs Terkel:
"No, it's not atomic rain, it's just a hard rain. It isn't the fallout rain. I mean some sort of end that's just gotta happen ... In the last verse, when I say, 'the pellets of poison are flooding the waters,' that means all the lies that people get told on their radios and in their newspapers."
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Six of the Best 605

David Boyle gets to grips with Southern Railways.

"Children in the United States from the very earliest days of the Republic ... were raised with practices conceived in direct opposition to Old World notions of authoritarian power and natural hierarchy." Judith Warner reviews a history of American parenting from life on the frontier to the 'managed child'.

David Crystal says reports of the death of the full stop are exaggerated

Wilko Johnson discusses death, depression, cancer and Canvey Island with Every record tells a story.

"The interiors of Leighton House Museum in Holland Park are not only some of the most spectacularly beautiful in London; they are also the most completely unexpected." Let Nigel Andrew take you there.

David Runciman thinks England's reliance on Spurs players is a weakness: "The biggest reason Leicester finished ahead of Spurs is that their players spent a lot less time on the pitch (since the team had fewer commitments in other competitions) and so were able to hold their form to the very end. It’s not romantic, but it’s the truth: by the time you get to April and May, miles on the clock count for just as much as tactics and talent. And by the time you get to June and July, maybe for even more."
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Alison Moyet: Dido's Lament



From Henry Purcell's opera Dido and Aeneas - and Alison Moyet's 2004 album Voice.
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Six of the Best 603

RIA Novosti archive
"If Brexit wins, it will be because a majority of British voters have simply lost confidence in the way they are governed and the people they are governed by. That loss of confidence is part bloody-mindedness, part frivolity, part panic, part bad temper, part prejudice. But it is occurring – if it is – in a nation that has always prided itself, perhaps too complacently, on having very different qualities: good sense, practicality, balanced judgment, and a sure instinct for not lurching to the right or left." Martin Kettle analyses why we have been brought to the verge of Brexit.

Bernard Aris says the Leave campaign has not thought about the implications for Ireland - north and south.

Mikhail Gorbachev still has lots to say finds Neil MacFarquhar.

The good news is that expensive libel cases are in decline, says David Hencke. The bad news is that the rich are using the 'right to be forgotten' to effectively silence their critics instead.

Daniel Ralston tells the story of the fake Zombies - the strangest con in rock history.

York Stories visits the threatened buildings of Ordnance Lane.
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Martin Carthy and Dave Swarbrick: Byker Hill



Dave Swarbrick died this week, a full 17 years after the Telegraph published his obituary. But what the paper said then remains true:
Dave Swarbrick, the violinist and singer ... was one of the most influential folk musicians of the 1970s and 1980s, especially with the group Fairport Convention. A small, dynamic, charismatic figure, "Swarb"—cigarette perched precariously on his bottom lip, unruly hair flapping over his face, pint of beer ever at hand—could electrify an audience with a single frenzied sweep of his bow. He never failed to produce a dramatic effect, whether on fiddle or mandolin, whether playing in tiny folk clubs or at huge open air festivals
Here he is with his regular collaborator Martin Carthy - the pair have featured here before.
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The greatness of Muhammad Ali and the decline of boxing


In his pomp Muhammad Ali was just about the most recognisable man on the planet. Supreme as an athlete, he risked everything that had earned him to stand up for his people and for what he believed to be right.

One reason for his extraordinary fame was that he was a great athlete in a sport that enjoyed a popularity it hard to imagine today.

Heavyweight boxing was the blue riband event. In the years of rationing after the second world war British men like Bruce Woodcock, who were really no more than middleweights, had to take on American heavyweights so we had someone to compete in it.

When I was a small boy the great heavyweight bouts were global events of extraordinary significance. I have a clear memory of listening to them on the radio late in the evening.

So much so, that when I was in New York I went to look round the foyer of Madison Square Garden, where so many of those great fights were held, just so I could say I had been there. (Admittedly, the recent Clapton and Winwood concert there may have had something to do with it too.)

Time moves on and sports lose popularity. In the first year of this blog's life I wrote:
Thirty years ago the British heavyweight boxing champion was just about the biggest name in sport - think of Henry Cooper. Can you name the current holder of the title without using Google? I can't.
That would have to read 42 years ago today. There are several credible British heavyweights around today, but I have not idea if any of them is British champion.

I fell out of love with boxing when Michael Watson suffered brain damage in a bout with Chris Eubank. That had been an era when there were great British middleweights - Watson, Eubank, Nigel Benn - and their clashes made for wonderful fights.

It was magnificent when Eubank got off the canvass and from God knows where found a punch to knock Watson out and win the fight. But the damage it caused convinced me that professional boxing was insupportable.

I did watch Eubank's son Chris Eubank Jr fight Nigel Blackwell. The younger Eubank is clearly a very talented fighter, but I found the proceedings sickening.

Not just because Blackwell ended up in a coma and almost died, but also because of the dishonesty of the commentators.

It was clear almost at once that Eubank could unload combinations on Blackwell's head at will and that Blackwell lacked the weapons to stop him. Yet the commentators talked up the idea of Blackwell fighting back right up until the point that the fight was stopped.

The nearest equivalent to Muhammad Ali today in talent and personality is Usain Bolt. It is hard to see how a boxer could ever achieve that sort of fame again.

Until things change (and they will), you have to put your money on the next sporting figure to matter beyond sport in the way Ali did being a footballer.
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Six of the Best 601

"Like most wars, this one will end inconclusively with a narrow margin on a low turnout and the losers promising to keep fighting once they have regrouped and rearmed." Vince Cable takes a humorous look at referendum campaign.

Martin Hancox on the insanity of the badger cull.

A proposed new law would make it harder to criticise the ruling regime on Jersey. Voice for Children has the details.

"Reiner ends his memory with an envious observation: 'The word fuck is a perfectly good word now.' 'I never minded Richard Pryor saying it,' says Van Dyke, 'but so many comedians use it constantly instead of good material. That’s when it gets offensive.'" Katherine Brodsky interviews Dick Van Dyke and Carl Reiner, who are both past 90 but still crackling with ideas.

"If you’d have said that to us 50 years ago, that’d we’d be doing this still, we would have not believed it. That was the time Lennon said that he didn’t expect to be still doing it when he was 30!" Midlands What's On interviews Rod Argent from the Zombies.

Can you name the six London Underground stations named after pubs? Londonist can.
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Tim Farron listens to Straight Outta Compton for the first time

As trailed here on Friday, Tim Farron is featured on Ruth and Martin's Album Club today.

He gives his reaction to hearing N.W.A's Straight Outta Compton for the first time.

He also reveals his top three albums ever:

- Steve McQueen - Prefab Sprout
- The Clash’s first album (the US version because it’s got White
   Man in Hammersmith Palais and Complete Control on it)
- Since I left you - The Avalanches
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Joe Jackson: I'm the Man



Another outing for one of my favourite artists of the New Wave era - one who is perhaps a little forgotten today.

Thanks to the splendidly obsessive Wikipedia entry for Rock Goes to College, I can reveal that this was recorded at Hatfield Polytechnic (as it then was) and first broadcast on 14 January 1980.
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Yes, it's Chat-Show Tim



Charles Kennedy found that the path to public approval passed through chat-show studios. Now Tim Farron is taking it too.

The other day he appeared on Matt Forde's Political Party.(Me neither. Apparently it's something the young people listen to.)

You can hear how Tim did for yourself above.

He appears at around 19:30 if you find Forde's opening set palls after a while. He turns out to be a better interviewer than he is a comedian and Tim comes over very well.

And on Sunday he will be the latest guest on Ruth and Martin's Album Club.

That is a site where people are asked to listen to and write about a famous album they have somehow never heard.

Tim will be reacting to Straight Outta Compton by N.W.A.

Funnily enough Lord Bonkers recently wrote about the film of the same name - or at least something very like it:
Today I attend the Oakham premiere of a film I helped finance: ‘Straight Outta Nick Compton’. It tells the story of an opening batsman who is unjustly treated and records the controversial single “Fuck tha Selectors” as a result. I see from its evening edition that The High Leicestershire Radical (which I happen to own) has given it five stars.
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Simon and Garfunkel: America



The first LP I ever bought was Band on the Run by Wings. Though the title track and Jet were great singles, that rather embarrasses me today.

I suspect the second LP I bought was Simon and Garfunkel's Greatest Hits, which does not embarrass me at all as Paul Simon is one of the great songwriters of the post-war era.

This recording of America is taken from their 1981 concert in Central Park, New York.
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The Zombies: Hung up on a Dream



Time for another track from the Zombies' album Odessey and Oracle.

And time again to quote the band's bass player and Chris White, who wrote half the songs on it:
Even till the late 70s we were seen as a curiosity - a band who never quite made it - and then slowly in the 80s and 90s you found young bands quoting it as an inspiration. It's quite surprising to me to find that this album nobody wanted 40 years ago has become an icon. Some people have said it's their idea of the perfect album. It's all quite strange for us to be honest.
Odessey and Oracle was the first album to be recorded at Abbey Road after Sergeant Pepper. The Beatles' mellotron was still in the studio, so the Zombies made good use of it.
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Six of the Best 595

"A Crosby-ified Toryism can eke out victories against average opponents, but it is no guide to winning well or winning at a time when the capitalist system is being questioned; when Thatcherite and Reaganite orthodoxies are being questioned or when, in such places as Scotland (and now London), the Conservative brand is weak and needs rebuilding." Tim Montgomerie on the defeat of Zac Goldsmith.

Lenore Skenazy condemns the use of parents' fears for their children as a marketing tool.

Tony Broadbent rediscovers a murder that scandalised postwar London: the shooting of Alec de Antiquis in 1947.

"As you visit the Polling Station today you may be struck by the rather anachronistic posters which identify those buildings designated as such. Some local authorities have held huge stocks of these paper banners for much of the 20th century, and in some parts of the country those on display today may have been printed many years before you were born." Bob Richardson examines election day typography.

Hope you enjoy this article by Katy Waldman on why we omit initial pronouns.

Kelefa Sanneh explores the benign ruthlessness of Paul Simon.
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Jethro Tull: Cup of Wonder



I should have chosen this Beltane anthem last week, but I saw so taken with my discovery of Billy Fury singing David Bowie that I used that straight away.

This comes from Jethro Tull's 1977 LP Songs from the Wood. As I once blogged, when it came out I thought it was just about the best one there had ever been.
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Six of the Best 594

"People who are not very bright have this terrible tendency to pick a side in major intractable geopolitical conflicts, and support it as if it was a football team." Dan Davies offers a fair-minded account of Labour's problem with antisemitism.

John Blake puts Ken Livingstone right on Hitler and Zionism.

"The evidence built into a startling indictment of South Yorkshire police, their chain of command and conduct – a relentlessly detailed evisceration of a British police force." David Conn on the lessons of Hillsborough and the longest inquest in British legal history.

The Shropshire Star collects local residents' memories of the filming of Powell and Pressburger's Gone to Earth in 1949: "I shall never forget Jennifer Jones’ feet. She did all the running up Pontesford Hill and up to the Devil’s Chair in bare feet, and her feet were bleeding. She was absolutely brilliant, a lovely looking girl."

James Curry remembers his grandfather, the Revd J.P. Martin, who wrote the immortal Uncle books.

Adam Gopnik reviews a new biography of Paul McCartney.
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Billy Fury: Silly Boy Blue



It's a sign of how quickly music developed in the 1960s that Billy Fury and David Bowie seem to belong to quite different eras.

But here (played by Danny Baker yesterday morning) is an early Bowie song recorded by Fury.
Anorak Thing explains its genesis. Bowie's manager Kenneth Pitt:
managed to convince Billy Fury's manager Larry Parnes that Bowie had something to offer his client. By 1968 Billy Fury's hit days were long gone. Despite a switch from Decca to Parlophone in January 1967 he hadn't scored a hit on EMI's label. Game for a chance at anything Parnes agreed to record a version of "Silly Boy Blue", a track that had already graced Bowie's debut album, as Fury's next single. Sadly it did nothing for either the artist or the composer.
Which is a shame, because it was a good record.
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Roy C: Shotgun Wedding



This reached number 6 in the UK singles chart in 1966 and number 8 when it was re-released in 1972 (which is when I remember it from).

In view of the turn 2016 has taken, I better point out that Roy C - Roy Charles Hammond - is still with us.

Read more about his career on his own website.
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Dayflower: Heart-shaped Tambourines



Dayflower, says an old article on Leicestershire Press, describe their music as "honey-drenched pop melodies over a collage of fuzzed-up synths, lo-fi beats, and jangly guitars".
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Trivial Fact of the Week links Blow-Up and the Double Deckers



Nicholas Whyte has been ploughing a lonely furrow with a series of posts on the early 1970s children's television series Here Come the Double Deckers.

Although this fell precisely into my era, I fear I can recall disliking it at the time. Even then I sensed it was peopled with stage-school brats and aimed too shamelessly at the American market.

As a result I viewed the later careers of two of its stars - Brisnley Forde of Aswad and Peter Firth - with mild scepticism.

I struggled with Spooks in particular. MI5 just would not employ a former member of the Double Deckers and that is the end of the matter.

Still, I am the last blogger qualified to complain about obscure enthusiasms, and Nicholas's latest Double Deckers post has turned up a top piece of trivia. In fact he wins my Trivial Fact of the Week award.

That trivia concerns an episode of the show called Barney, in which the children befriend an entertainer down on his luck and (inevitably) put on a show with him.

Barney was played by Julian Chagrin, who a few years before had been one of the tennis players watched by David Hemmings at the end of Antonioni's Blow-Up. You can see this scene in the video above, which Nicholas included in his own post.

He calls it "the very odd 1966 film Blow-Up," but I think he meant to call it "a key moment in both the creation and the examination of the myth of Swinging London".

Nicholas also reveals that Chagrin appeared as the secret lemonade drinker in the R.White's television commercials.

The song in them was sung by Ross MacManus, the father of Elvis Costello.*

But you knew that already.

* I like Carl Wilson's observation that "a secret lemonade drinker" sounds like a line from one of Elvis Costello's own songs.
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I always thought I'd see James Taylor bat one more time again



There was something close to a shrine to James Taylor in the pavilion at Leicestershire's Grace Road ground before he left for Nottinghamshire and made his England debut.

His international career took a while to revive after that, but by the end of last year he had played 7 tests and 27 one-day internationals.

He look set to build on that substantially, perhaps particularly in 50-over cricket. There his thoughtful approach was a counterweight to the headless, everyone thrash and get out for 15 tendency that is the flipside of England's new positivity.

So the news that a heart condition has forced him to retire from the game with immediate effect came as an awful shock to his admirers.

I wish him well for future. For, as another James Taylor almost sang,: "I always thought that I'd see you batting one more time again."
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