Showing posts with label David Hemmings. Show all posts
Showing posts with label David Hemmings. Show all posts

Trivial Fact of the Week links Blow-Up and the Double Deckers



Nicholas Whyte has been ploughing a lonely furrow with a series of posts on the early 1970s children's television series Here Come the Double Deckers.

Although this fell precisely into my era, I fear I can recall disliking it at the time. Even then I sensed it was peopled with stage-school brats and aimed too shamelessly at the American market.

As a result I viewed the later careers of two of its stars - Brisnley Forde of Aswad and Peter Firth - with mild scepticism.

I struggled with Spooks in particular. MI5 just would not employ a former member of the Double Deckers and that is the end of the matter.

Still, I am the last blogger qualified to complain about obscure enthusiasms, and Nicholas's latest Double Deckers post has turned up a top piece of trivia. In fact he wins my Trivial Fact of the Week award.

That trivia concerns an episode of the show called Barney, in which the children befriend an entertainer down on his luck and (inevitably) put on a show with him.

Barney was played by Julian Chagrin, who a few years before had been one of the tennis players watched by David Hemmings at the end of Antonioni's Blow-Up. You can see this scene in the video above, which Nicholas included in his own post.

He calls it "the very odd 1966 film Blow-Up," but I think he meant to call it "a key moment in both the creation and the examination of the myth of Swinging London".

Nicholas also reveals that Chagrin appeared as the secret lemonade drinker in the R.White's television commercials.

The song in them was sung by Ross MacManus, the father of Elvis Costello.*

But you knew that already.

* I like Carl Wilson's observation that "a secret lemonade drinker" sounds like a line from one of Elvis Costello's own songs.
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The Stains: Bored



I came across a tweet the other day that suggested the actor David Hemmings had lived briefly in Shrewsbury High Street. That is hard to reconcile with what I know of his life, but it did lead me to this record.

The Stains were a Shrewsbury punk band whose original vocalist was Dom Estos. And Dom Estos was Dominic Hemmings, the adopted son of David Hemmings.

His mother was Genista Ouvry, who acted under the name Jenny Lewes. Dominic had already been born when Hemmings met her during  a two-week repertory engagement in Leicester in 1960 and they fell in love. They married shortly afterwards and Hemmings adopted Dominic, but the marriage did not last.

A few more snippets...

The band turn up in a letter to the Guardian by Mark Webb in 2010:
I was amazed to read of Kevin ­Rowland's antipathy towards ironed creases in jeans ... In the 70s, playing drums in Dom Estos And The Stains, we got a gig supporting Dexys ­Midnight Runners at Shrewsbury Music Hall. Dexys got the bigger dressing room, but we had the electric socket. A knock on the door and Mr Rowland appears: "Hello, lads. Can I plug in my iron to do my trousers?"
Dom Estos appears still to be making music, under the name Dominic Ouvry, as part of Liquid Vision.

And a little googling suggests Genista Ouvry used the name Jenny Lewes because Lewes was her mother's maiden name.

Not only that: it suggests she was a direct descendant of George Henry Lewes, Victorian man of letters and partner of George Eliot (or Mary Ann Evans).
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Six of the Best 557

"In the current flare of details coming out about the Tatler Tory bullying affair, one group more than others has been scrambling for cover, and that is the Young Britons' Foundation." Random Scribbling Notepad tells us all about it.

"Pugh’s suggestion that Labour has a tendency to choose the wrong leader and to hang on to him too long is an interesting reflection in the light of the result of Labour’s recent leadership election." Keith Laybourn looks at some books on the history of the Labour Party.

Ian Marsh argues that policy convergence, cynical marketing strategies and the demise of party organisations have destroyed the infrastructures that once provided a platform for longer term policy debates.

Shadowplay remembers Fragment of Fear, a disturbing 1970 film starring David Hemmings and many familiar faces of the period.

While Sarah Miller Walters celebrates the Peter Sellers film Heavens Above.

The Gentle Author takes us to Bromley by Bow and the largest tidal mill in the world.
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