The Black Boy, Albion Street, Leicester


If ever I find myself short of ideas for something to photograph, I have a look at the Leicester Mercury and see which building's demolition the city council proposes to allow next.

The latest candidate is the former Black Boy pub in Albion Street, which I visited yesterday morning. Its sign used to be a portrait of the young Charles II, which gives a clue  to the origins of its name came from.

The Mercury report about it begins:
Heritage campaigners have launched a fight against an "absolutely shocking" plan to demolish a "unique" city pub and replace it with student flats. 
Developers want to knock down the Black Boy, in Albion Street, to build on the site, but already dozens of objections have been received to the planning application. 
The pub, built in 1923, has stood empty for four years. 
Three years ago, Leicester City Council gave permission for a plan that involved keeping the pub's façade but using the building for flats for 50 students. 
But now developer Deckchair Ltd has come back to the council asking for permission to tear the whole building down to create a block for 76 students.
I remember drinking in the Black Boy and as Stuart Bailey, the chairman of Leicester Civic Society, says:
The original architects took a square site and created a curved building, which is very difficult to do. 
"They also made a beautiful, oval-shaped lounge inside with panelled walls and a decorative plaster architrave. 
"It's a most attractive building and there's nothing quite like it in Leicester. It's unique."
Leicester's mayor Sir Peter Soulsby is an enthusiast for major heritage projects, like the Richard III centre and Jubilee Square, and I admire him for that.

But beyond those, the city's heritage is largely disregarded. Remember the Bowstring Bridge and the Empire in Newfoundpool?

I get the impression that most Labour councillors would be entirely content if the city consisted entirely of newly built supermarkets and blocks of student accommodation,

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The Crazy World of Arthur Brown: Fire



What else could it be after last night?

A post for Voice by Laruen Wise makes the case for Brown as an important figure:
Almost 50 years ago, musical icon Arthur Brown stepped out on stage, five-foot tall flames leaping from his head, and uttered one of rock music’s most stirring lines: "I am the God of Hellfire." 
At that point, the British theatrical rocker who brought us The Crazy World of Arthur Brown in '68 had no way of knowing that he would come to be seen as a major pioneer in not only progressive rock and heavy metal, but the entire concept of what makes a stage show. 
He’s influenced generations of musicians who searched for an edge, from King Diamond, KISS, and Peter Gabriel to Marilyn Manson, Rob Halford, and Alice Cooper.
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Stewart Lee can be funny about Islamophobia



Those of us who ground our way through Thursday's Comedy Vehicle will be relieved to see this video.

It shows Stewart Lee using the same material and being funny.
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An evening with the legendary Arthur Brown







I have just got back from seeing Arthur Brown at the Harborough Theatre. The evening was a mixture of stories and performance theatre about his music career, all interspersed with songs.

He is best known for his 1968 number one hit Fire, which was an early melding of pop and theatre. But there is more to him than that. Finding himself treated as a guru by some because of the themes of his songs, he felt a fraud and has dedicated his life since to seeking enlightenment.

And tonight the way brought him to Market Harborough.
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Major restoration work at Oakham Castle



Read more about this project on the Oakham Castle Restoration Project blog.
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Mary Wollstonecraft's grave at Old St Pancras church


Before I went to Round the Horne I had some time to spend in London.

The first place I went to was Old St Pancras, the little country church that stands in the shadow of the railway station. I was pleased to find it is now open to the public every day.

As it was International Women's Day I sought out the grave of Mary Wollstonecraft. She was buried in the churchyard there along with her husband William Godwin and his second wife.

Her remains were moved by her grandson Percy Florence Shelley to his family tomb in St Peter's Church, Bournemouth,
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The Liberal Democrats are still a long way from OMOV



Harry Hayfield has an article on Liberal Democrat Voice about the motion before the Liberal Democrat Conference this weekend that would legalise the use of cannabis.

I don't agree with the line he takes on that, but I was struck by something he wrote:
I have lived with my grandparents all my life and as a result, especially since 2005 as I have been their registered carer, I have moved wherever and whenever they have moved and this means that since I became a Liberal Democrat in 1992, I have been all over the place. 
However, there is one small downside to this and that is being able to get to big Lib Dem events. In those 24 years I have only managed to attend one regional conference, three Welsh conferences and no federal conferences or special conferences.
In recent years I have found myself steadily falling into a similar situation. My mother has become increasingly frail, with the result that I have to spend more and more time helping her over at her house. I now found it hard to be away from Leicestershire for more than a couple of days.

The result of this is that is a while since I have attended Lib Dem Conference and it is unlikely to get any easier for me to do so in the future.

There must be many members in this position and many more who cannot attend Conference for other personal reasons.

Yet this is a perspective that we have rarely heard in the debate over one member one vote (OMOV) in the party.

That debate has largely involved young members who have the time and funds to attend conference but lacked the contacts in the party to get themselves elected by their constituency as a representative under the old rules.

They have won their case, but if OMOV is to be a reality then the party will have to reach out to people beyond this group.

The only thing I can see helping me participate at present is some form of online voting. But will the pressure for that be kept up now the people who were pushing for OMOV have had their own grievances met?

Anyway, enjoy York. I wish I could be with you.
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Leicester's historic Aylestone Road cricket ground to be restored


Last summer I found the Leicester Electricity Sports Cricket Club ground off Aylestone Road where Leicestershire played their county games between 1901 and 1939.

Grace, Bradman, Hammond and Hutton all played there, and so did Mike Brearley in the last first class game it hosted.

Yesterday the Leicester Mercury reported that funding has been secured for the first stage in a rennovation programme from the pavilion.
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Round the Horne: 50th Anniversary Tour



You'll have to hurry to catch it, because it closes on 12 March, but I can thoroughly recommend the Albany Theatre Company's Round The Horne: 50th Anniversary Tour at the London Comedy Museum.

In the 1960s the radio comedy Round the Horne was extraordinarily popular and this production puts you in the place of the audience at the recording of a couple of episodes of the show.

Much of the script was filth (if only in the listener's mind) but the writers Barry Took and Marty Feldman got away with it because the show was centred on the urbane, establishment presence of Kenneth Horne.

Here are a couple of examples of the humour. Kenneth Williams as Rambing Syd Rumpo singing The Ballad of the Woggler's Moulie above and the opening of the sketch Bona Law below...
HORNE: Can you help me? I've erred. 
SANDY: Well, we've all erred, ducky. I mean, it's common knowledge, ennit, Jule? 
HORNE: Will you take my case? 
JULIAN: Well, it depends on what it is. We've got a criminal practice that takes up most of our time.
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